Our memory is made of windows, fragments of stories we have listened to, images we have seen, emotions we have felt, ever since we were little ones. Memories live in these windows, that we can open and close them. Memories in black and white, pleasant and unpleasant ones, that turn the past into present for a little while and that we can relive thanks to our imagination. As we grow up, memories can turn into questions – like the ones children ask grown-ups –, and they do so with a lightness and an innocence that seem to make the most difficult ones, the ones without an answer, almost weightless: Will the past ever come back? or If something no longer exists, why does it continue to keep on living inside me, both in my dreams and memories and why does it seem so real?

By: Andrea Buzzetti, Giada Ciccolini, Bruno Frabetti, Sara Lanzi | Directed by: Andrea Buzzetti | Scene: Fabio Galanti | Costumes: Tanja Eick

With: Giada Ciccolini, Sara Lanzi

Our memory is made of windows, fragments of stories we have listened to, images we have seen, emotions we have felt, ever since we were little ones. Memories live in these windows, that we can open and close them. Memories in black and white, pleasant and unpleasant ones, that turn the past into present for a little while and that we can relive thanks to our imagination. As we grow up, memories can turn into questions – like the ones children ask grown-ups –, and they do so with a lightness and an innocence that seem to make the most difficult ones, the ones without an answer, almost weightless: Will the past ever come back? or If something no longer exists, why does it continue to keep on living inside me, both in my dreams and memories and why does it seem so real?

By: Andrea Buzzetti, Giada Ciccolini, Bruno Frabetti, Sara Lanzi | Directed by: Andrea Buzzetti | Scene: Fabio Galanti | Costumes: Tanja Eick

With: Giada Ciccolini, Sara Lanzi

One day, Aurora and her little sister make a promise made to each other, that when the time is wright, they will go to the North Pole and enjoy the marvels of the Northern Lights. After years, they are close to fulfilling their childhood dream. On a mountain top, Aurora, who is no longer a child, starts another kind of journey, a journey brought upon her by the flickering stars above. . Aurora and her sister relive the excitement of childlike wonder. Look within yourself is a nonverbal play about our own interior universe, where there is no good or evil, where nature speaks to and through us and because of that we become one with nature.

By: Cristina Giurcea | Directed by: Cristina Giurgea | Lights and video: Dan Basu

With: Valeria Taban, Miruna Dobrotă / Andrei Midișan

One day, Aurora and her little sister make a promise made to each other, that when the time is wright, they will go to the North Pole and enjoy the marvels of the Northern Lights. After years, they are close to fulfilling their childhood dream. On a mountain top, Aurora, who is no longer a child, starts another kind of journey, a journey brought upon her by the flickering stars above. . Aurora and her sister relive the excitement of childlike wonder. Look within yourself is a nonverbal play about our own interior universe, where there is no good or evil, where nature speaks to and through us and because of that we become one with nature.

By: Cristina Giurcea | Directed by: Cristina Giurgea | Lights and video: Dan Basu

With: Valeria Taban, Miruna Dobrotă / Andrei Midișan

Arrow, a deflated ball abandoned by its owner, will learn a very valuable lesson through his adventures. Our hero finds himself alone and forgotten because he is of no use now. Downtrodden, he is not ready to quit, not yet, because he needs to find the boy he once belonged to. Throughout his adventures, Arrow will discover the ,,universe’’ of the park, a hidden universe accessible only to those who actually inhabit it. He will realise how important friends are and why trusting those close to you can change your destiny. In the end he will acknowledge the importance of the second chance and the efforts such an event implies. A new beginning requires change, and change is not possible without determination, but our hero has a lot of it.

By: Alexandru Ivănoiu | Directed by: Tony Adam Horațiu | Scene: Andrei Răduț | Costumes: Roxana Răduț | Music: Radu Mihalache | Coreography: Cristina Danu | Video design: Constantin Șimon | Vocal coach: Ana Cebotari

With: Andreea Mera, Alexandru Prica, Voicu Hetel, Cristian Boeriu, Ioana Bîndac, Ciprian Niculae, Marius Boboc, Iulian Bălan, Julieana Drăghici, Liliana Donici, Valeria Stoian, Andra Mirescu

Why do the hands get twisted? Why do the legs take different directions? Why does one have a tail and the others do not? The word “why” is the key to understanding and knowledge. “Mix” is a mixture. The show throws questions in the air about the meanings and interpretations of bodily movement. The Why Mix Remix is a geometric, thrilling, colourful and partially serious mixture of contemporary dance, mime and music. The show ponders on children’s reduced bodily expression and movement constructions in the era of smartphones and emojis.

Directed by: Päivi Aura | Coreoghraphy: Päivi Aura, Kati Lehtola, Veera Lamberg, Maria Autio | Music and sound design: Heli Hartikainen | Costumes: Piritta Kämi-Conway | Light design: Nicolas Salo

With: Veera Lamberg, Heli Hartikainen, Maria Autio

Arrow, a deflated ball abandoned by its owner, will learn a very valuable lesson through his adventures. Our hero finds himself alone and forgotten because he is of no use now. Downtrodden, he is not ready to quit, not yet, because he needs to find the boy he once belonged to. Throughout his adventures, Arrow will discover the ,,universe’’ of the park, a hidden universe accessible only to those who actually inhabit it. He will realise how important friends are and why trusting those close to you can change your destiny. In the end he will acknowledge the importance of the second chance and the efforts such an event implies. A new beginning requires change, and change is not possible without determination, but our hero has a lot of it.

By: Alexandru Ivănoiu | Directed by: Tony Adam Horațiu | Scene: Andrei Răduț | Costumes: Roxana Răduț | Music: Radu Mihalache | Coreography: Cristina Danu | Video design: Constantin Șimon | Vocal coach: Ana Cebotari

With: Andreea Mera, Alexandru Prica, Voicu Hetel, Cristian Boeriu, Ioana Bîndac, Ciprian Niculae, Marius Boboc, Iulian Bălan, Julieana Drăghici, Liliana Donici, Valeria Stoian, Andra Mirescu

Why do the hands get twisted? Why do the legs take different directions? Why does one have a tail and the others do not? The word “why” is the key to understanding and knowledge. “Mix” is a mixture. The show throws questions in the air about the meanings and interpretations of bodily movement. The Why Mix Remix is a geometric, thrilling, colourful and partially serious mixture of contemporary dance, mime and music. The show ponders on children’s reduced bodily expression and movement constructions in the era of smartphones and emojis.

Directed by: Päivi Aura | Coreoghraphy: Päivi Aura, Kati Lehtola, Veera Lamberg, Maria Autio | Music and sound design: Heli Hartikainen | Costumes: Piritta Kämi-Conway | Light design: Nicolas Salo

With: Veera Lamberg, Heli Hartikainen, Maria Autio

Jurassic is a tale about friendship and the marvellous surprises an unexpected journey can offer you. Penguins, dinosaurs, a tiger cub and a scientist who messes things up with his inventions, go on adventures which alter the manner they see those who are different. The show relies on a theatre-film concept during which the act is filmed and streamed. The public has the opportunity to watch in real-time both the puppetry performance within miniature exotic settings and the frameworks created.

By: George Cocoș | Directed by: Ana Crăciun-Lambru | Puppets makers: Alexandru Răzvan Chendrean, Ana Crăciun-Lambru | Scene: Cristian Petrescu

With: Mircea Postelnicu, Corina Grigoraș, Ecaterina Hâțu, Valentin Florea

Jurassic is a tale about friendship and the marvellous surprises an unexpected journey can offer you. Penguins, dinosaurs, a tiger cub and a scientist who messes things up with his inventions, go on adventures which alter the manner they see those who are different. The show relies on a theatre-film concept during which the act is filmed and streamed. The public has the opportunity to watch in real-time both the puppetry performance within miniature exotic settings and the frameworks created.

By: George Cocoș | Directed by: Ana Crăciun-Lambru | Puppets makers: Alexandru Răzvan Chendrean, Ana Crăciun-Lambru | Scene: Cristian Petrescu

With: Mircea Postelnicu, Corina Grigoraș, Ecaterina Hâțu, Valentin Florea

It’s time to get to know a kind hearted girl, who lives up in the mountains and only does good deeds. Heidi and her friends are coming to The Comic Opera for Children in a show that will remind of the freshness of the mountain air. We would like Heidi to become an example for our spectators: she manages to see the good in people, loves nature and the animales, she wants to discover as much as she can, but above all she succeeds in helping those around her in finding their meaning in life. The encounter with Heidi and the trials she has to go through will be an unique experience.

Directed by: Claudia Ciobanu | Scenography: Iuliana Gherghescu | Music: Andrei Neamțu | Choreography: Ana Badea | Light design: Alin Popa | Video mapping and animation: Dorin Popovici, Nicoleta Ivan | Dance moments for video mapping: Ana Badea, Teodora Badea, Ionuț Picincu | Live trompet: Sorin Nicolescu | Costumes: Iolanda Mutu, Ana Maria Vasile

With: Cătălina Antal / Alexandra Giurcă, Ciprian Chiricheș / Dragoș Ioniță, Vlad Nicolici / Sergiu Roban, Laura Gabriela Oana / Alexandra Stroe, Călina Epuran / Ioana Sihotă, Ana Maria Ivan / Otilia Panainte, Petru Călinescu / Andrei Duțu, Ana Baciu / Ana Badea, Cristian Danu / Filip Popa, Alexandra Corlan / Teodora Crișan, Bogdan Iacob / Ionuț Picincu

A delicate portrait of fragility, isolation, disconnection from yourself and others, violence and everything that transports us along the tightrope of life. The movement of two people and their vulnerability; how they inhabit and experience it to accept the fact that it forms part of their essence. Where do we go when we disconnect? When fragility envelops us, what is the space within us like? LaBú Theatre invites you to feel, experience, embrace and lose yourself in this fragility.

Fragile 2.0 is the third production of LaBú Theatre, a performance in which the deconstruction of movement and visual poetry transport the audience to a state of reflection.

Created and directed by: Anna Ros, Andreu Sans | Scenic space: LaBú Theatre, Claudia Vilà | Costumes: Iztok Hgra | Puppets design: Martí Doy | Light design: Sergi Illa, Josep Badia | Machinery design: Josep Badia | Music and sound design: Marcel Fabregat, Joel Condal | Graphic design: Andrea Contreras | Photography: Arian Botey | Video: Julián Waisbord

With: Anna Ros, Andreu Sans

A delicate portrait of fragility, isolation, disconnection from yourself and others, violence and everything that transports us along the tightrope of life. The movement of two people and their vulnerability; how they inhabit and experience it to accept the fact that it forms part of their essence. Where do we go when we disconnect? When fragility envelops us, what is the space within us like? LaBú Theatre invites you to feel, experience, embrace and lose yourself in this fragility.

Fragile 2.0 is the third production of LaBú Theatre, a performance in which the deconstruction of movement and visual poetry transport the audience to a state of reflection.

Created and directed by: Anna Ros, Andreu Sans | Scenic space: LaBú Theatre, Claudia Vilà | Costumes: Iztok Hgra | Puppets design: Martí Doy | Light design: Sergi Illa, Josep Badia | Machinery design: Josep Badia | Music and sound design: Marcel Fabregat, Joel Condal | Graphic design: Andrea Contreras | Photography: Arian Botey | Video: Julián Waisbord

With: Anna Ros, Andreu Sans

One of the most beloved stories written by Ion Creangă, The bear tricked by the fox, comes to the stage as a show inspired by the current state of our society. The main themes of the story, gluttony and gullibility, will be represented in an entertaining yet shrewd way. There is gonna be a show within a show, because the Fox, our hero, will put on a whole performance in order to fool the Villager and the Bear. But which one of them is more gullible? There is a reason why the question ‘’How did the bear lose its tail?’’ is so popular and the public will learn the answer during the show. Our guide in this story is gonna be a histrionic fish. If usually we invite the audience to cheer on the heroes, this time we advise caution because the Fox is very deceitful and resourceful.

By: Ion Creangă | Directed by: Andrei Răduț | Adapted by: Valeria Stoian | Music: Radu Mihalache | Scenography: Andrei Răduț

With: Alexandru Prica, Cristian Boeriu, Ciprian Niculae

Spring, summer, autumn and winter.

Alma is a poetic and sensory journey through the four seasons, each with a different soul embodied in the objects and materials encountered by the protagonist. Alma is a performance for young children based on object theatre and movement. Little ones will enjoy a production that features natural materials and examines the passage of time, in both an amusing and poetic way.

Created and directed by: Anna Ros | Scenography and puppets: Martí Doy, LaBú Theatre | Costumes: Victoria Cretenze, Iztok Hgra | Light design: Sergi Illa | Original music and sound design: Marcel Fabregat, Joel Condal

With: Anna Ros

Spring, summer, autumn and winter.

Alma is a poetic and sensory journey through the four seasons, each with a different soul embodied in the objects and materials encountered by the protagonist. Alma is a performance for young children based on object theatre and movement. Little ones will enjoy a production that features natural materials and examines the passage of time, in both an amusing and poetic way.

Created and directed by: Anna Ros | Scenography and puppets: Martí Doy, LaBú Theatre | Costumes: Victoria Cretenze, Iztok Hgra | Light design: Sergi Illa | Original music and sound design: Marcel Fabregat, Joel Condal

With: Anna Ros

Led by an invisible thread, in front of us, a huge ball of wool and three enchanting characters will appear one by one. A character comes from the past, another lives with us in the present, and another travels from the future. Could they be protective goddesses or sisters with the Moon, the Sun or the Earth? Together with the three characters we will start unravelling the threads around us. The thread multiplies, transforms and invites us to discover it. The music will create movements like waves on the surface of the water, and you will be lured to roam with them the world. Tales with threads is the ideal universe for any child who lets himself be separated from the hands of his parents and, guided by curiosity, enjoys exploring the unknown.

Created and directed by: Andra Burcă | Scenography: Viaceslav Vutcariov | Music: Radu Mihalache

With: Andreea Gaica, Andreea Mera, Andra Mirescu

Exit the King essentialize the human experience, showing us everything it has to offer, joy, happiness, bliss, fear. When we get a sense that the end is near, each and everyone of us has a choice when it comes about reacting to that fact. The author aimed to show how a man who does not agree with his own dissolution responds. Bèrenger, the main character, will go through all the emotions that such an event can invoke, from refusal, to revolt, to resignation. And in the end, he will realize that this is precisely where the beauty of the human life resides.

By: Eugène Ionesco | Adapted and directed by: Eliza Păuna | Scenography: Sabina Veșteman, Bianca Veșteman | Puppets: Daniel Stamate | Music: Bobo Burlăcianu | Photography: Andrei Roșianu

With: Ioan Brancu, Liliana Gavrilescu, Cristina Țane / Ioana Chelaru Popovici, Mona Toncu, George Simian, Ștefan Craiu

This dance and technology show takes as its starting point one of the oldest sciences of humanity, geometry. Geometry is an abstract show, where contemporary dance is the leitmotif, and the geometric shapes are the conductive line. The main characters are three geometric bodies, as the show goes forward, these bodies acquire human qualities, establishing a connection with the public. Music, poems, and images complete this interpretation of geometry with moments where the audience can interact with the show thanks to 3D projections and special glasses. This show will offer an unforgettable experience.

Directed by: Marta Almirall | Assistant’s director: Anna Planas | Costumes and text: Montserrat Ginesta | Choreography: Aina Lanas, Arias Fernández | Audiovisual design: Onionlab | Light design: Andreu Fàbregas | Music: Xavier Oró | Artistic collaboration: La Sala Miguel Hernández Sabadell

With: Aina Lanas, Anna Sagrera, Miriam Salvador

This dance and technology show takes as its starting point one of the oldest sciences of humanity, geometry. Geometry is an abstract show, where contemporary dance is the leitmotif, and the geometric shapes are the conductive line. The main characters are three geometric bodies, as the show goes forward, these bodies acquire human qualities, establishing a connection with the public. Music, poems, and images complete this interpretation of geometry with moments where the audience can interact with the show thanks to 3D projections and special glasses. This show will offer an unforgettable experience.

Directed by: Marta Almirall | Assistant’s director: Anna Planas | Costumes and text: Montserrat Ginesta | Choreography: Aina Lanas, Arias Fernández | Audiovisual design: Onionlab | Light design: Andreu Fàbregas | Music: Xavier Oró | Artistic collaboration: La Sala Miguel Hernández Sabadell

With: Aina Lanas, Anna Sagrera, Miriam Salvador

Ariel, the youngest daughter of the Sea King, falls in love with a prince - a man - and, defying his father's laws, risks everything to be with him. In order to do that, the Little Mermaid meets the Sea Witch, the Octopus, and they agree upon an exchange, for a pair of legs the mermaid must give up her soul. Together with her friends, The goldfish and The crab, the Little Mermaid embarks on an incredible adventure, guided only by her love for the prince.

By: Hans Christian Andersen | Written and directed by: Gabriela Dumitru | Set design: Andrei Răduț | Costumes: Roxana Răduț | Music: Andrei Petre-Tatu

With: Grațiela Teohari-Duban, Robert Ciupitu, Liliana Donici, Ciprian Niculae, Ilinca Atanasiu, Valeria Stoian

A story with a history of over 100 years will materialize in a magical musical for the whole family. Acting Dream Theater shall accompany you on the exciting adventures of the little man Mowgli and his his friends, the cute, tamed beasts of the jungle. The text is a well-known, but that is precisely why it was chosen, because a good text is always a good challenge for the theatre professionals. Even though, title is not a new one at all, the way the show approaches the themes and the evolution of the characters belong to the contemporary.

By: Rudyard Kipling | Scenography and directed by: Eduard Petru Jighirgiu | Music and libretto: Eduard Petru Jighirgiu | Choreography: Edi Stancu | Costumes: Adina Gherghiceanu, Anca Pancu | Video Design: Cristi Niculescu, Luca Achim | Graphic Design: Aurel Asanche

With: students of Acting Dream Academy

Suggestive images that stimulate the senses, that provoke children's play. These images change shape and colour when they’re touched, when they’re chased. All of these are present on stage ready to make the little spectators want to meet with the shooting stars, men with umbrellas falling from heaven and other fantastic characters. This show is a very good example of the ’’magic of theatre’’, because in a finite space, the spectators are going to interact with colourful spots which showers everything and everyone with rays of light, giving the impression of an entirely different space.

By: Carlos Laredo | Directed by: Carlos Laredo | Texts: Dorothée Schoonooghe | Musicians: Anastasia Studyonova (flute), Mikhail Studyonov (piano) | Set design and costumes: Elyse Galiano | Light design and stage management: Vincent Stevens

With: Amel Felloussia, Elisabeth Mouzon

Suggestive images that stimulate the senses, that provoke children's play. These images change shape and colour when they’re touched, when they’re chased. All of these are present on stage ready to make the little spectators want to meet with the shooting stars, men with umbrellas falling from heaven and other fantastic characters. This show is a very good example of the ’’magic of theatre’’, because in a finite space, the spectators are going to interact with colourful spots which showers everything and everyone with rays of light, giving the impression of an entirely different space.

Directed by: Eulàlia Ribera, Jordi Colominas | Written by: Carles Porta | Graphic design and animation: Carles Porta | Music: Josep Maria Baldomà | Programming: Román Torre | Production: Isabel Urpí

With: Fernando Leija / Héctor Puigdomènech

Suggestive images that stimulate the senses, that provoke children's play. These images change shape and colour when they’re touched, when they’re chased. All of these are present on stage ready to make the little spectators want to meet with the shooting stars, men with umbrellas falling from heaven and other fantastic characters. This show is a very good example of the ’’magic of theatre’’, because in a finite space, the spectators are going to interact with colourful spots which showers everything and everyone with rays of light, giving the impression of an entirely different space.

By: Carlos Laredo | Directed by: Carlos Laredo | Texts: Dorothée Schoonooghe | Musicians: Anastasia Studyonova (flute), Mikhail Studyonov (piano) | Set design and costumes: Elyse Galiano | Light design and stage management: Vincent Stevens

With: Amel Felloussia, Elisabeth Mouzon

Suggestive images that stimulate the senses, that provoke children's play. These images change shape and colour when they’re touched, when they’re chased. All of these are present on stage ready to make the little spectators want to meet with the shooting stars, men with umbrellas falling from heaven and other fantastic characters. This show is a very good example of the ’’magic of theatre’’, because in a finite space, the spectators are going to interact with colourful spots which showers everything and everyone with rays of light, giving the impression of an entirely different space.

Directed by: Eulàlia Ribera, Jordi Colominas | Written by: Carles Porta | Graphic design and animation: Carles Porta | Music: Josep Maria Baldomà | Programming: Román Torre | Production: Isabel Urpí

With: Fernando Leija / Héctor Puigdomènech

Suggestive images that stimulate the senses, that provoke children's play. These images change shape and colour when they’re touched, when they’re chased. All of these are present on stage ready to make the little spectators want to meet with the shooting stars, men with umbrellas falling from heaven and other fantastic characters. This show is a very good example of the ’’magic of theatre’’, because in a finite space, the spectators are going to interact with colourful spots which showers everything and everyone with rays of light, giving the impression of an entirely different space.

Directed by: Eulàlia Ribera, Jordi Colominas | Written by: Carles Porta | Graphic design and animation: Carles Porta | Music: Josep Maria Baldomà | Programming: Román Torre | Production: Isabel Urpí

With: Fernando Leija / Héctor Puigdomènech

A participatory experience for audiences aged over 6 years old that combines urban dance, contemporary culture, object manipulation and experimentation with the physics of colour and light. Light, objects and modern dance get together to offer the spectators a unique experience that allows simultaneous interaction with all the elements mentioned above. Because of the way they are mixed, each and every one of them undergo certain transformations which permit new ways of experimenting with light, objects and modern dance.

By: laSala and Com un Ilum | Choreography: Hèctor Puigdomènech | Light design and props: Lola Solanilla / Com un Ilum

With: Hèctor Puigdomènech, Fernando Leija

CUTInE is a show which invites the audience no matter their age to discover the posibilities they can give to a defined space and to some simple objects. Through their interactions the actors will encourage audience members to use or to rediscover their curiosity. The children are invited to "compete" with the actors in discovering the space and in finding ideas for transforming it. The starting point for the show is the desire of the two characters to find each other. In order to be able to emphasize the power of a gesture in relation to another person, but also in relation to an object or the environment, the show was designed as nonverbal.

Created and directed by: Andra Burcă | Scenography: Andrei Răduț | Music: Radu Mihalache

With: Andreea Mera, Tudor Morar

A participatory experience for audiences aged over 6 years old that combines urban dance, contemporary culture, object manipulation and experimentation with the physics of colour and light. Light, objects and modern dance get together to offer the spectators a unique experience that allows simultaneous interaction with all the elements mentioned above. Because of the way they are mixed, each and every one of them undergo certain transformations which permit new ways of experimenting with light, objects and modern dance.

By: laSala and Com un Ilum | Choreography: Hèctor Puigdomènech | Light design and props: Lola Solanilla / Com un Ilum

With: Hèctor Puigdomènech, Fernando Leija